Art Historian, Critic, & Curator

Taught Art Criticism, Modern Art History, and Film History at the Graduate Schools of Seoul National University, Korea University, Korea University of Arts, and Hongik University (2007-2023) and served as a mentor, committee, and Jury in many art residencies, arts organizations, artist's award, and festivals in South Korea since 2007. (Email)/ (Homepage)/ (Blog)

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Selected Exhibitions, Festival & Events

2017-2021 Seoul International New Media Festival (NEMAF), Seoul/ 2017, 2018 Commissioner (2 Years), Goyang Outdoor Sculpture Festival, Goyang/ 2014 《Reply Artists》, Seoul Foundation of Arts and Culture, Seoul/ 2011 “From Yeouido Airfield to Incheon Airport,” co-curated, Ilmin Art Museum, Seoul


Selected Papers (Abstract) & Conferences

Research papers (A& HCI 7, Korea Certificate Index (KCI) 31, Other Academic Journal 4) 2023 "The Place of Tragedy and Postmemory Generation: Dalo Hyunjoo Kim and Kwanghee Cho's 'Mourning Practice (Oedo Yeonseup)' at Camp Town Ppeoppeorl, Euijeongbu," 「Journal of Korean and Asian Art」, (Seoul: Research Institute of Korean Arts) / 2022 “The Postmemory Generation and Being Abandoned: Jane Jin Kaisen's Film Community of Parting,” 「Journal of History of Modern Art 」, Vol. 51 , pp. 157-189”


Books, Ex. Catalogues & Reviews

RESEARCH-BOOKS (Korean 12, English 4)/ EXHIBITION CAT. & REVIEWS (APPROXIMATELY 220)/ 2021 Dong-Yeon Koh, 『Postmemory Generation in South Korea: The Post 1990s Arts and Films』, Advanced Series of Korean Studies. London and New York; Routledge (English) 2020 Dong-Yeon Koh, “The Paradoxical Place of the Female Body in Feminist Arts in South Korea,” in <Korean Art from 1953: Collision, Innovation>, edited by Yeongshim Jeong, New York: Phaidon Press (English).